Saturday, 25 February 2012
Pakistan – the other side, a country with more than a bunch of negative headlines
Military, Judiciary and Executive at loggerheads with the each other- Clash of institutions in Pakistan
Friday, 24 February 2012
The Victorian architecture
The most popular style of architecture prior to the Victorian era was the Greek revival. This style was used almost exclusively for public buildings where simplicity and dignity were considered the most important attributes. By the 1840s the Greek style was no longer fashionable for a private residence. Its popularity had waned about the time Victoria became Queen. Many early cottages were built as summer residences only, with no wadding, yet the underlying surfaces were of solid construction. Architects and builders often submitted alternate designs for a house where the floor plans were identical, and only the facades varied. But when frame construction came along, houses were built quickly and complex details were added later. Many early homes had neither kitchens nor bathrooms. As is typical of these early homes, additions often house the kitchens and baths. Most of the early homes, especially those built in England, were built of stone, and enhanced with decorative "stone tracery". The number of full-blown Gothic stone mansions was never large. Only the wealthy could afford such homes which required the labours of highly skilled stone carvers. The costly Gothic style was eventually translated into wood, and thousands of "Carpenter Gothic" houses still stand. The homes are planned from the inside out - the layout of the rooms and the traffic pattern determines the outward look. Inside they have a happy hide-and-seek quality of surprise.
The Victorian architectural period mostly spans the period of roughly 1825-1900. The Victorians drew deeply from history, nature, geometry, theory, and personal inspiration to create their designs. Prior to 1890, designers, though properly trained in the academics of standard architectural systems, still managed to employ their own creative ideas.
Early Victorian structures were relatively simple in style, while those built after the Civil War became more complicated. They combined styles as they saw fit. The end result was often a stunning visual effect. The building styles of post-Civil War America were elaborate and flamboyant, very much fuelled by new industrial society.The latter part of the nineteenth century brought a new attitude toward colour. Before then, the houses of the tract builders tended to be painted all one colour, usually white, beige or gray. By 1887, many people were painting their houses in lighter, brighter colours. The vibrant colours are one of the more easily identifiable features of Victorian architecture today.
Today, many homes from the Victorian architectural period still stand and are considered among the most beautifully rustic in almost any neighbourhood. Many have been turned into bed and breakfast inns, hotels and some just opened to the public as historic sites.
Prajakta Kavde
3749
THE MESSAGE: A WALK THROUGH THE RELIGIOUS INTERIORS OF NAJAF WITNESSING THE POWER OF ALI
Iraq, a land well known for its conflict, unsteady political atmosphere, and invasion by superpowers, holds extremely significant to the Shiite population who ensure a pilgrimage to the holy cities of Karbalah and Najaf at least once in their lifetime. In a country where the value of life is close to nill, and bombings are a usual affair, one feels instant peace when visiting the shrines of the Prophets son-in law Ali, and Ali’s son Hussain.
Islam began in 600 AD. After the death of the prophet, Maulana Ali, undertook his journey to Najaf and settled there. Islam began spreading once again under his leadership, and Maulana Ali was seen as greatly powerful and influential. In the 7th century, the Kufa masjid was built in Najaf, it was from this mosque that Maulana Ali spread his sermons and led the daily namaaz. The mosque is historical for numerous reasons. the first being that it was in the qibla of this mosque, which is where the imam leads his prayers from, where Maulana Ali was killed. Ibn Muljim, belonging to the Kharijite clan, was amongst the many enemies of Islam. The spread and popularity of Maulana Ali, drove him into killing the Imam. It was in the month of Ramazan on the 19th day that Maulana Ali was attacked while in the midst of his fajr (morning) prayer. Ibn Muljam hid in the shadows of the mosque with a poisonous sword in his hands and as Maulana Ali bent down in sajdah to acquire blessings from Allah, Ibn Muljim hit the sword on his head, leading to Maulana Ali being fatally injured. He succumbed to his injuries on the 21st of Ramazan, and then began the start of the rise of his beloved son Hussain.
Another reason as to why the Kufa mosque is considered monumental is because it is believed that 1200 prophets have prayed here, including Abraham and Noah. One prayer in this mosque is worth a thousand prayers in one’s lifetime. The 11,000sqm of Kufa is embedded with history in every crevice, and a visit there is liberating.
The 52nd Da’i-al-Mutlaq of the Dawoodi Bohra community, Dr. Syedna Mohammed Burhanuddin Saheb undertook the renovation of Kufa, which was completed in the year 2010. The mosque is grand, with two golden domes, and four minarets adorned with gold. The sehen (courtyard) of Kufa, is made up of marble tiles from Greece which ensure a cool surface even during the scorching heat of summer. The insides are adorned with 1400 lanterns, commemorating the 1400th year of Islam according to the lunar calendar. The qibla of the mosque where believers bow down and pray, has excerpts from the Quran written in diamonds and rubies. There engraved, are 12 ruby teardrops each having the words ‘Ali’ carved into them. Believers ensure they pray in this mosque at least twice, on their visit to Najaf.
In the heart of the old city lies the ‘heart’ of the Islamic world, Maulana Ali’s shrine. The Imam, was said to have been buried secretly as he did not want his enemies to know the place where he finally lay. It was the 6th Imam, Ja’far-as-sadiq who discovered Maulana Ali’s grave, and it is here that 120 million Shiites flock to attain spiritual blessings and do dua. The Dawoodi Bohra community is the singular community that does not believe in giving a face to any of the Imams and the Prophet, however, the Iraqi’s have a bunch of flags, pendants, and posters of a sketch of Maulana Ali outside the shrine. One has to pass four security check points before entering the shrine, where major frisking and checking is done.
The area of the shrine is magnificent, surrounded by four large walls adorned with blue, yellow, and white stones, each hand placed to form various designs. A clock tower with a golden dome, stands above the main entrance leading to the shrine. The shrine itself is glorious, made completely out of gold, it stands as a towering structure, in front of which one truly feels like they are standing in front of the son of God. On the pillars of the shrine, are designs made in ruby and diamond.
The shrine was first built by the Iranian ruler the Daylamite Fannakhosraw Azod ad Dowleh in 977 over the tomb of Ali. However it was destroyed by a fire, and was later rebuilt by Seljuk Malik Shah I in 1086. Recently it has been newly renovated by Syedna Mohammad Burhanuddin Saheb.
On entering the shrine, one witnesses the passion and devotion Maulana Ali has filled believers with. Shiite Muslims worldwide sit in numerous groups, each practicing their own form of prayer and matam (beating the chest in mourning). To see so many sects of Muslims, all gathering at one holy place for the same cause, is truly overwhelming.
To reach the walls of the grave, ironic as it may seem, feels like one has entered into a mini-war zone. Even though the men and the women are separated, one can get crushed in the midst of all the desperation to reach the wall. Whether one visits at 11pm or 4am, the crowd never seems to die down, hence proving the overwhelming power of Ali.
The grave, financed and built by Dr. Syedna Mohammad Burhanuddin Saheb, is magnificent in itself. The jaali of the grave is golden, while the door has words inscribed in diamonds and emeralds. The jaali has grape vines and deers carved into it, as it was said that Maulana Ali was very fond of both. The top of the grave has leaves with Ali written in them, surrounding the entire periphery. The area has a prayer room, with a complete crystal ceiling, where people sit for hours in peace and complete silence.
It is true that the shrine has received its share of battering. In 2004, a car bomb exploded outside the shrine killing a 100 people. The bombings seemed to be the work of Abu Musab al-Zarqawi, a militant from Jordan. It was in the same year that the Mahdi army ceased the area of the shrine and used their base for carrying out attacks against the government, Iraqi police, and the coalition forces. In the latest attack in the year 2006, a suicide bomber was responsible for the death of 45 people outside the shrine.
As a city, Najaf is well developed and progressing. However the charm of the old city, the markets, and the lanes leading to the shrine makes one aware of the history that took place on these very roads centuries ago. One feels a different sort of aura on these roads, which they are sure to keep within them even after they have left.
ZAHRA AMIRUDDIN (3742)
Italy: Tourism and the Environment
Qawwali and Sufi music in Pakistan
The qawwal is a singer or singing musician (in Arabic, “one who speaks well”) of the Chishti tradition of India and Pakistan. Qawwali is linked with the history of the Chishti Order, which was founded in Chisht, in Khurasan, and brought to the Indian subcontinent in the 12th century. Qawwali, from the Arabic word qual, meaning utterance, are the songs intended to stimulate religious ecstasy and trance. The qawwal voices the spiritual message of Sufism, a mystical extension of Islam.
Qawwali music has been developed from the inversion of Indian ragas: vocals and harmoniums are layered on top of rhythm. The vocals reach their greatest intensity when some of the singers take turns singing while the others are breathing. This creates the illusion that they are singing without taking a breath. The harmoniums too operates in a same way.
Qawwali developed as the major Sufi music genre through the careers of a number of prominent qawwals like Munshi Raziuddin, Baha-ud-din, Santoo Khan, Nusrat Fateh Ali Khan’s father, Fateh Ali Khan and uncle Mubarak Ali Khan, Aziz Mian, Sabri Brothers and Nusrat Fateh Ali Khan. Qawwali had a healthy steady patronage from the shrines of Sufi saints which have large established followings who shower money on qawwals performing on various auspicious occasions.
One of the famous Sufi singer and often know as the Qawaal star , 'Pakistan's Pavarotti', Nusrat Fateh Ali Khan. Khan said: "When I sing for God, I feel myself in accord with God, and the house of God, Mecca, is right in front of me".
He had taken qawwali training from his father and other family elders of the Jullundhri qawwal family - was endowed with a keen sense of innovative composition and was lucky to be noticed by some of the leading experimental contemporary world musicians like Peter Gabriel who provided him the break that he needed. His musical experiments were frequently criticized by the contemporary purist qawwals who considered use of western instruments and the fusion experiments carried out by Nusrat somewhat blasphemous. His use of certain techniques of western polyphonic composition in his orchestration was also not supported by these quarters. He also brought to Pakistan some of the latest recording equipment and was always busy composing and recording in his studios. His strength also lay in complex use of rhythm, a wide knowledge of traditional range of raagas and a very sound intimate living knowledge of folk music which he used in some of his most well known compositions.
Khan was one of the truly great cross over artists who was able to bridge geographical, religious and cultural divides with his powerful voice and traditions.
Thursday, 23 February 2012
Honduras: The Coup of 2009
On June 26, 2009, the Supreme Court of Honduras ordered the military of the country to arrest the then- President, Manuel Zelaya. The military (allegedly aided by the Pentagon) obeyed, and two days later, took the President at gunpoint from his house, put him in a plane and dropped him off on a runway in Costa Rica, in the middle of the night, in his pyjamas.
Zelaya had been growing increasingly unpopular among the people in the prior months, and there had been increasing fears of his trying to capture more power than he had. The Honduran people for years had been battling myriad, interconnected problems such as privatisation of water, transnational mining, powerful drug cartels and a corrupt and brutal police. It has a long history of military and authoritarian rule, which is why the most sacrosanct features of the Honduran Constitution are the Unchangeable Articles, which prohibit, among other things, re-election of the President for a second term. Zelaya had been re-elected in 2005, amidst widespread protests and allegations of a rigged election,
Hence, when in March 2009, Zelaya started talking about putting together a Constituent Assembly with the power to amend the constitution, alarm bells began ringing across the country. Interestingly, Zelaya (called the “egalitarian” President by his admirers) wanted this done democratically. His idea was to take it forward after popular approval, which is why, during the November 2009 elections, an extra ballot box was to be put at every polling centre for the people to vote for/ against the assembly. The ‘cuarta una’ or the ‘fourth box’, however, created a wave of suspicion, opposition and debate in the country. This was mainly because the Constitution was not an extremely rigid one, and had been amended many a times before. The people couldn’t see why Zelaya would want the Constitution more malleable than it was, so close to the general elections, if not to tamper with the re-election clause and come to power yet again. Such was the public reaction against it that a public referendum was decided upon, to be held on June 29, to understand what the people really wanted. On that very day, however, came the “coup”, backed by the Supreme Court, the Attorney General and the national Congress.
The coup took the entire country by surprise. Despite the fact that tensions had been growing, no one had expected the President to be whisked off and abandoned in another country in the middle of the night. Not many were happy about it, either. There was a fear of having turned full circle to yet another military regime after some years of democracy, and public outrage was immediate and immense. Youngsters, teachers, farmers and different factions of society took to the streets, braving severe police and military repression and organising itself gradually into what is today called the Resistance. Frente Nacional de la Resistencia Popular (National Front of Popular Resistance, FNRP) is an organised body of social workers, journalists and other strong voices, working towards regaining democracy in Honduras. It holds the authority to criticise the current regime and put forth its demands before it, and be heard. Its initial demand was the return of Zelaya to the Honduras from Brazil, where he had been given sanctuary.
This call was echoed by the international community, especially by Venezuelan President Hugo Chavez and Colombian President Juan Manual Santos. The two were on extremely good terms with Zelaya, and had been special guests at his swearing- in ceremony.
On the other hand, US President Barack Obama’s statements denouncing the coup and demanding Zelaya’s return were taken with a pinch of salt by most parties concerned. There are allegations that the US has been steadily strengthening its military bases at different locations in Honduras since the coup. More importantly, Michael Parenti, in a 2009 article, alleged that most of the military officers involved in the coup had been in trained in the USA, in the Pentagon’s School of the Americas. In Parenti’s words, “The Honduran military is trained, advised, equipped, indoctrinated, and financed by the United States national security state. The generals would never have dared to move without tacit consent from the White House or the Pentagon and CIA.”
Political pressure against the coup grew steadily. Honduras was expelled from the Organisation of American States, an organisation of all the democratic states in North, South and Central Americea. Aid was cut off, not only by the OAS but also by other countries. Interestingly, the USA, which has a law against giving financial aid to governments- by- force, continued aid to the country.
Manuel Zelaya finally returned to Honduras in May 2011, after spending almost two years in exile. By then, power had already exchanged hands, though not drastically. In an election that saw a turnout of 60%, Perifiro Lobo had been chosen the new President of Honduras. Zelaya had opposed the elections vehemently, as had Brazil, Venezuela and many other countries. The USA called it “a significant step”, though “not sufficient”.
Meanwhile, the resistance continues. Under the current rule of the government led by President Perifiro Lobo, the human rights situation is worsening by the day. More and more critical voices, be it journalists, judges, civilians or even policemen, are being stifled. In the capital city of Tegucigalpa, daylight murders of critics of police corruption and the drug cartel have become regular incidences. In May 2010, four lower- court judges who had criticised the 2009 coup were dismissed from office. Honduras retains the title of the crime capital of the world.